Pier Paolo Pasolini - Salo, or the 120 Days of Sodom (1975) 10/10

Pier Paolo Pasolini  Salo, or the 120 Days of Sodom (1975)

Set in the Nazi-controlled, northern Italian state of Salo in 1944, four dignitaries round up sixteen perfect specimens of youth and take them together with guards, servants and studs to a palace near Marzabotto. In addition, there are four middle-aged women: three of whom recount arousing stories whilst the fourth accompanies on the piano. The story is largely taken up with their recounting the stories of Dante and De Sade: the Circle of Manias, the Circle of Shit and the Circle of Blood.

Sam Peckinpah - Bring Me the Head of Alfredo Garcia (1974) 10/10

After the deathwish of Pat Garrett & Billy the Kid, it's logical that the spirit of a dead man should dominate its successor. And for a director so preoccupied with male virility, it's hardly surprising that Peckinpah has made a film primarily about impotence: Oates, a washed-up American bar-room pianist, hunts for the head of the stud Garcia and for his own machismo

Sam Peckinpah - The Deadly Companions (1961)

All Movie Guide

With its small cast, character-driven story, and modest production values, Sam Peckinpah's first feature film seems very like another of his TV Western dramas--just one that happened to get shot in Panavision. The director's favorite TV actor, Brian Keith, plays a surly loner named Yellowleg who ventures into Indian country with a dance-hall girl (Maureen O'Hara), the corpse of her little boy, and a pair of marginally human specimens (Steve Cochran and Chill Wills) who more than justify the title. Everybody has, or seems to have, a guilty or shameful secret: Why does

Sam Peckinpah - The Ballad Of Cable Hogue [+Extras] (1970)

SYNOPSIS
Peckinpah demonstrated a sense of humor in THE BALLAD OF CABLE HOGUE that had not been seen since his early TV days when he ran one of the best and most overlooked cowboy shows ever, "The Westerner," starring Brian Keith. CABLE HOGUE is at its best when chronicling how the Old West passed and mercantilism spread across the Great Plains.
Robards is a prospector abandoned in the desert and left to die by Martin and Jones. (They worked together again that same year in

Paul Morrissey - Women in Revolt (1971)...8/10

http://www.filesonic.com/file/30464247/WomeninRevolt.rar

no pass

http://www.fileserve.com/file/QRzT45w
http://www.fileserve.com/file/U5v7CUF

http://hotfile.com/dl/81202962/36e5759/WomeninRevolt.part1.rar.html
http://hotfile.com/dl/81202961/ca7e6a1/WomeninRevolt.part2.rar.html

links are interchangeable
no pass

Vincent Canby @ The New York Times, Feb 17, 1972 wrote:Probably no man, not even Norman Mailer, will ever have the last word on women's liberation, but until ones does, perhaps the Andy Warhol-Paul Morrissey "Women in Revolt" will do. The movie is called a comedy, but it can be more accurately described as

Fallen Angels' (1995)....Wong Kar Wai...6/10

Wong Kar Wai-Duo luo tian shi ('Fallen Angels') (1995)
727.8 MB | 1:36:16 | Cantonese with Eng.+Tur. s/t | XviD, 840 Kb/s | 672x384

Hong Kong director Wong Kar-Wai's stylistic masterpiece. A thematic sequel to "Chungking Express," Fallen Angels explores the lives of a number of Hong Kong ne'er-do-wells as they try to find love and money in the desperate streets of the city. This bittersweetly romantic film features a kaleidoscopic display of cinematography, camera angles and editing. KINO
Rapidshare.com (7 * 100 MB + 27.8 MB)

http://rapidshare.com/files/71164049/WKW-FAngels.part1.rar
http://rapidshare.com/files/71167935/WKW-FAngels.part2.rar
http://rapidshare.com/files/71171659/WKW-FAngels.part3.rar
http://rapidshare.com/files/71175147/WKW-FAngels.part4.rar
http://rapidshare.com/files/71178263/WKW-FAngels.part5.rar
http://rapidshare.com/files/71181197/WKW-FAngels.part6.rar
http://rapidshare.com/files/71184260/WKW-FAngels.part7.rar
http://rapidshare.com/files/71159256/WKW-FAngels.part8.rar

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Chronique d'un été (1961)......7/10

Jean Rouch, Edgar Morin-Chronique d'un été (1961)
813.7 MB | 1:25:23 | French with English s/t | DivX, 1140 Kb/s | 576x400

This film, made in the summer of 1960 by the sociologist Edgar Morin and the ethnographer Jean Rouch, aimed to be as 'true as a documentary, but with the content of a fiction film.' Facilitated by improved technology (16mm film, sync sound, light hand held cameras) it pioneered a direct or live aesthetic dubbed 'cinema verite'. It was to film 'true life', but engage on a subjective level, getting people to talk about their experiences and ambitions, and most notably, whether or not they are happy. IMDb

Rapidshare.com (8 * 100 MB + 13.7 MB)

http://rapidshare.com/files/78588514/JRouch-ChroniqEte.part1.rar
http://rapidshare.com/files/78595658/JRouch-ChroniqEte.part2.rar
http://rapidshare.com/files/78581610/JRouch-ChroniqEte.part3.rar
http://rapidshare.com/files/78639099/JRouch-ChroniqEte.part4.rar
http://rapidshare.com/files/78644849/JRouch-ChroniqEte.part5.rar
http://rapidshare.com/files/78650066/JRouch-ChroniqEte.part6.rar
http://rapidshare.com/files/78655218/JRouch-ChroniqEte.part7.rar
http://rapidshare.com/files/78632826/JRouch-ChroniqEte.part8.rar
http://rapidshare.com/files/78655952/JRouch-ChroniqEte.part9.rar

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