Peter Watkins - La Commune 2000 9/10

Peter Watkins - La Commune (Paris, 1871) (2000)

Gönderen anybody



At 67, Peter Watkins remains a restless radical, creating films that spectacularly defy narrative conventions, entrenched ideologies and, it must be said, the patience of his viewers.

With a running time of 5 hours 45 minutes, Mr. Watkins's most recent film, ''La Commune (Paris, 1871),'' is far from his longest work, but in many ways it is his most ambitious. (The longest, ''The Journey,'' a 1987 survey of the nuclear arms race, was 12 hours.)

Centered on the story of the Paris Commune, the working-class insurgency that briefly ruled the French capital in 1871, Mr. Watkins's film is at

Pier Paolo Pasolini - Salo, or the 120 Days of Sodom (1975) 10/10

Pier Paolo Pasolini  Salo, or the 120 Days of Sodom (1975)

Set in the Nazi-controlled, northern Italian state of Salo in 1944, four dignitaries round up sixteen perfect specimens of youth and take them together with guards, servants and studs to a palace near Marzabotto. In addition, there are four middle-aged women: three of whom recount arousing stories whilst the fourth accompanies on the piano. The story is largely taken up with their recounting the stories of Dante and De Sade: the Circle of Manias, the Circle of Shit and the Circle of Blood.

Sam Peckinpah - Bring Me the Head of Alfredo Garcia (1974) 10/10

After the deathwish of Pat Garrett & Billy the Kid, it's logical that the spirit of a dead man should dominate its successor. And for a director so preoccupied with male virility, it's hardly surprising that Peckinpah has made a film primarily about impotence: Oates, a washed-up American bar-room pianist, hunts for the head of the stud Garcia and for his own machismo

Sam Peckinpah - The Deadly Companions (1961)

All Movie Guide

With its small cast, character-driven story, and modest production values, Sam Peckinpah's first feature film seems very like another of his TV Western dramas--just one that happened to get shot in Panavision. The director's favorite TV actor, Brian Keith, plays a surly loner named Yellowleg who ventures into Indian country with a dance-hall girl (Maureen O'Hara), the corpse of her little boy, and a pair of marginally human specimens (Steve Cochran and Chill Wills) who more than justify the title. Everybody has, or seems to have, a guilty or shameful secret: Why does

Fallen Angels' (1995)....Wong Kar Wai...6/10

Wong Kar Wai-Duo luo tian shi ('Fallen Angels') (1995)
727.8 MB | 1:36:16 | Cantonese with Eng.+Tur. s/t | XviD, 840 Kb/s | 672x384

Hong Kong director Wong Kar-Wai's stylistic masterpiece. A thematic sequel to "Chungking Express," Fallen Angels explores the lives of a number of Hong Kong ne'er-do-wells as they try to find love and money in the desperate streets of the city. This bittersweetly romantic film features a kaleidoscopic display of cinematography, camera angles and editing. KINO
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Chronique d'un été (1961)......7/10

Jean Rouch, Edgar Morin-Chronique d'un été (1961)
813.7 MB | 1:25:23 | French with English s/t | DivX, 1140 Kb/s | 576x400

This film, made in the summer of 1960 by the sociologist Edgar Morin and the ethnographer Jean Rouch, aimed to be as 'true as a documentary, but with the content of a fiction film.' Facilitated by improved technology (16mm film, sync sound, light hand held cameras) it pioneered a direct or live aesthetic dubbed 'cinema verite'. It was to film 'true life', but engage on a subjective level, getting people to talk about their experiences and ambitions, and most notably, whether or not they are happy. IMDb

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http://rapidshare.com/files/78588514/JRouch-ChroniqEte.part1.rar
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Toute la mémoire du monde -Alain Resnais (1956).....9/10

Alain Resnais-Toute la mémoire du monde (1956)
198.1 MB | 0:20:58 | French with English s/t | XviD, 1130 Kb/s | 560x416

With Toute la mémoire du monde, Resnais is setting the basis of his cinematographic project about places of memory. Within 20 minutes, Resnais is surgically, methodically analyzing the national library of France. With an hyperactive camera, he's sneaking, he's smelling, he's feeling this huge building. IMDb


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http://rapidshare.com/files/89579527/AResnais-TMduMonde.part1.rar
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Rohmer, Godard, Rouch, Chabrol, Douchet, Pollet-Paris vu par... (1965)

Rohmer, Godard, Rouch, Chabrol, Douchet, Pollet-Paris vu par... (1965)

730.8 MB | 1:32:45 | French with English s/t | XviD, 920 Kb/s | 480x368

Rapidshare.com (7 * 100 MB + 30.8 MB)



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Epidemic-Lars von Trier (1987)

Lars von Trier-Epidemic (1987)
1469.9 MB | 1:41:49 | Danish/English with Eng. s/t | XviD, 1720 Kb/s | 656x400
From controversial director Lars von Trier comes the bizarre story of a director (played by von Trier himself) and a writer who create a script about a mysterious plague that engulfs Europe, only to find their horrific scenario coming true in real life. Featuring Udo Kier, Epidemic is a dark and original horror film with a twist: Is the epidemic real, or is it only a dark figment of von Trier's imagination?

Chris Marker - La Jetée (1962)...10/10

(taken from Turner Classic Movies)

Quote:

"This is the story of a man marked by an image of his childhood," begins La Jetee (1962), one of the most instantly recognizable and acclaimed short films ever made. Using only still photographs, voiceover narration, sound effects and music, it tells the story of a World War III survivor whose vivid memories make him the subject of time travel experiments. In only one shot of the film--that of "the Woman" opening her eyes in the morning--does the image move. Through such deceptively simple means Chris Marker explores the paradoxes of time travel and, on a deeper philosophical level, the relationships between image and memory, and word and image.