Movies For friends

MOVIES FOR FRIENDS

Διαλέγω και ανεβάζω links για μερικές ταινίες τις οποίες προτείνω να δείτε.
Τις περισσότερες τις γνωρίζετε.
Εχουν ελληνικούς υπότιτλους, και κάποιες αγγλικούς.

Κατεβάστε το cryptload (για pc) ή το jDownloader (για mac) από τa παρακάτω λινκ.
ΔΕΙΤΕ ΜΕ ΚΛΙΚ ΕΔΩ ΤΙΣ ΟΔΗΓΙΕΣ
Με αυτό το πρόγραμμα μπορείτε να κατεβάσετε και τα λινκ όλα μαζί, κάνοντας τα copy-paste, καθώς και τα αρχεία .ccf

Δίπλα στον κάθε τίτλο προσθέτω μια δική μου αξιολόγηση στην κλιμακα του δέκα.

http://cryptload.info/download/

http://jdownloader.org/

Κυριακή 24 Οκτωβρίου 2010

Various - Cinema16: European Short Films (2006)

http://www.cinema16.org/home.php
CINEMA16 celebrates the short film by showcasing some of the best classic and award winning shorts on DVD.
Aside from providing short films with a much needed platform CINEMA16 gives filmmakers and movie-lovers access to some great films that would otherwise be near impossible to see, from the fascinating early works of some of Europe?s greatest directors to award-winning films from its most exciting new filmmakers. With over three and a half hours of films CINEMA16 is essential viewing for anyone with an interest in the moving image.

Διαβάστε περισσότερα »

Various - Cinema16: European Short Films (Special US Edition) (1965 - 2005)

http://www.cinema16.org/dvd.php?dvd=4

Cinema16 celebrates the short film by showcasing some of the best classic and award-winning shorts on DVD.

Aside from providing short films with a much needed platform, Cinema16 gives filmmakers and movie-lovers access to some great films that would otherwise be near impossible to see, from the fascinating early works of some of the world's greatest directors to award-winning films from its most exciting new filmmakers.

Launching for the first time in North America, Cinema 16's European Short Films DVD celebrates some of the best short films to have come out of Europe in the last half-century.

Διαβάστε περισσότερα »

Various - Cinema16: British Short Films (2003)

Gönderen anybody

http://shahlaz.persiangig.com/image/Cinema16_British/Cinema16%20.British.jpg

http://img21.imageshack.us/img21/5333/imdbimage.jpg

A compilation of sixteen short films from British filmmakers: Includes: About A Girl - Brian Percival, Boy And Bicycle - Ridley Scott, Dear Phone - Peter Greenaway, Doodlebug - Christopher Nolan, Eight - Stephen Daldry, Gasman - Lynne Ramsay, Girl Chewing Gum - John Smith, Home - Morag McKinnon, Joyride - Jim Gillespie, Inside Out - Tom and Charles Guard, Je T'aime John Wayne - Toby McDonald, The Sheep Thief - Asif Kapadia, The Short And Curlies - Mike Leigh, Telling Lies - Simon Ellis, UK Images - Martin Parrand, and Who's My Favourite Girl? - Adrian McDowall.

Various - Cinema16: American Short Films (2006)

Description: Cinema16 is a filmmaker driven initiative, produced by Luke Morris, who won the European Film Award and a BAFTA nomination for his first short Je t’aime John Wayne, and was BAFTA nominated again this year, with Toby MacDonald, for Heavy Metal Drummer.

Aside from providing short films with a much needed platform Cinema16 gives filmmakers and movie-lovers access to some great films that would otherwise be near impossible to see. With over three and a half hours of films Cinema16 is essential viewing for anyone with an interest in the moving image.

The 16 films include: Gus Van Sant's 1982 adaptation of a William S. Burroughs short story, The Discipline of DE; Tim Burton’s early stop motion animated classic Vincent; George Lucas’ USC short Freiheit; Alexander Payne’s previously unreleased UCLA graduation short Carmen; D.A. Pennebaker’s Duke Ellington scored Daybreak Express; Todd Solondz’ NYU short Feelings; along with Oscar winner The Lunch Date by Adam Davidson, Stefan Nadelman’s multi-award winning documentary Terminal Bar, Joe Nussbaum’s cult classic George Lucas in Love, and this year’s Sundance winner The Wraith of Cobble Hill by Adam Parrish King.

01 Adam Davidson - The Lunch Date (http://www.imdb.com/title/tt0100076/)
02 Peter Sollett - Five Feet High And Rising (http://www.imdb.com/title/tt0240507/)
03 George Lucas - Freiheit (http://www.imdb.com/title/tt0060432/)
04 Da Pennebaker - Daybreak Express (http://www.imdb.com/title/tt0045673/)
05 Tim Burton - Vincent (http://www.imdb.com/title/tt0084868/)
06 Stefan Nadelman - Terminal Bar (http://www.imdb.com/title/tt0344437/)
07 Rawson Marshall Thruber - Terry Tate Office Linebacker (http://www.imdb.com/title/tt0303402/)
08 Standish Lawder - Necrology (http://www.imdb.com/title/tt0355817/)
09 Gus van Sant - The Discipline Of D.E. (http://www.imdb.com/title/tt0409900/)
10 Adam Parrish King - The Wraith Of Cobble Hill (http://www.imdb.com/title/tt0493467/)
11 Joe Nussbaum - George Lucas In Love (http://www.imdb.com/title/tt0203523/)
12 Maya Deren - Meshes Of The Afternoon (http://www.imdb.com/title/tt0036154/)
13 Alexander Payne - Carmen (http://www.imdb.com/title/tt0872315/)
14 Todd Solondz - Feelings
15 Mike Mills - Paperboys (http://www.imdb.com/title/tt0372459/)
16 Andy Warhol - Screen Test: Helmut

http://rapidshare.com/files/423135830/01_Adam_Davidson_-_The_Lunch_Date.rar
http://rapidshare.com/files/423139078/02_Peter_Sollett_-_Five_Feet_High_And_Rising.part1.rar
http://rapidshare.com/files/423137248/02_Peter_Sollett_-_Five_Feet_High_And_Rising.part2.rar
http://rapidshare.com/files/423133159/03_George_Lucas_-_Freiheit.rar
http://rapidshare.com/files/423134344/04_Da_Pennebaker_-_Daybreak_Express.rar
http://rapidshare.com/files/423134927/05_Tim_Burton_-_Vincent.rar
http://rapidshare.com/files/423138981/06_Stefan_Nadelman_-_Terminal_Bar.part1.rar
http://rapidshare.com/files/423137768/06_Stefan_Nadelman_-_Terminal_Bar.part2.rar
http://rapidshare.com/files/423139063/07_Rawson_Marshall_Thruber_-_Terry_Tate_Office_Linebacker.rar
http://rapidshare.com/files/423301765/08_Standish_Lawder_-_Necrology.rar
http://rapidshare.com/files/423139750/09_Gus_van_Sant_-_The_Discipline_Of_D.E..rar
http://rapidshare.com/files/423302223/10_Adam_Parrish_King_-_The_Wraith_Of_Cobble_Hill_.rar
http://rapidshare.com/files/423145875/11_Joe_Nussbaum_-_George_Lucas_In_Love.rar
http://rapidshare.com/files/423148418/12_Maya_Deren_-_Meshes_Of_The_Afternoon.rar
http://rapidshare.com/files/423148180/13_Alexander_Payne_-_Carmen.part1.rar
http://rapidshare.com/files/423141612/13_Alexander_Payne_-_Carmen.part2.rar
http://rapidshare.com/files/423142113/14_Todd_Solondz_-_Feelings.rar
http://rapidshare.com/files/423148569/15_Mike_Mills_-_Paperboys.part1.rar
http://rapidshare.com/files/423148362/15_Mike_Mills_-_Paperboys.part2.rar
http://rapidshare.com/files/423147678/15_Mike_Mills_-_Paperboys.part3.rar
http://rapidshare.com/files/423145037/16_Andy_Warhol_-_Screen_Test_Helmut.rar

no pass

Various - Visions of Europe (2004)

http://img42.imageshack.us/img42/22/visionsofeurope2004.jpg

The idea.
The idea was simple:
Twenty-five countries, twenty-five visions from respected film directors from each of the respective countries that form the enlarged European Community. Each director would be asked to give a personal vision of current or future life in this coming cultural melting pot.The length of each film was set to five minutes.The initial idea came from commissioning editor Meinolf Zurhorst from ZDF- Germany/ARTE - France and the project was then conceived together with producer Mikael Olsen from the film production company Zentropa from Denmark.

The ambition.
The hope was to have a powerful manifestation of the cultural diversity of Europe as opposed to the idea of globalisation and conformity. The ambition was also to celebrate the artistic freedom and freedom of expression as this should be a key value of the European community.

The budget.
The main financial contribution came from ZDF/ARTE. This created the possibility of giving all participants the same amount of money - regulated to an EU-index - and thus forming a basis budget from which each director and company could actually make a film of five minutes and by their own choice could seek further funding within the framework and support system of their own country. The idea of rights for the films were distributed in the way that each country held the rights for using their own film and the other 24 films within their own country. This created the option of selling to a national TV-station. As all involved agreed to the proposed exchange in rights, this gave an enormous promotional value to the project in its entirety. Instead of us all hanging doggedly onto our own rights, this selfless action, turned out to be a giant step for the project and in many ways was also defining as a small step toward European cooperation.The basic budget, the possibility of seeking further funding through official national channels and a possibility of presale became the economic foundation of each of the films.The Danish Film Institute, represented by film consultant Morten Hartkorn, generously supported the project, which financially helped some of the less fortunate participants residing in countries, where presales and national support systems are not as well established as in other places. It has also created the possibility of getting artwork and press release sheets done.All in all the budget is around 850.000 euros and we are confident that this basic budget has generated at least another 850.000 euros in additional support and presales bringing the total expenditure close to 2 mill. euros.

The production.
From mid-November 2003 to mid-January 2004 the directors and production companies were contacted and contracted. Everywhere we experienced a positive response and great enthusiasm for the project from both directors and producers. To facilitate the exchange of information, a website was created - www.visionsofeurope.dk or www.voe.dkDirectors and producers chose a lot of different approaches regarding the production from small one-man-one-camera productions shot on DV cam to high concept productions with 35 mm. film, sets and actors. Close to 500 people have participated in creating these films.Throughout the production Newsletters were distributed and the office at Zentropa consisting of production manager Charlotte Vinther, coordinator Antony Castle, assistant Christian de Coninck Lucas and producer Mikael Olsen were co-ordinating and assisting directors and producers as a whole, alongside also producing the Danish contribution.It was a great joy to experience the huge amount of dedicated professional film people facing tight deadlines and producing in this tough format with energy and sophistication.The films were delivered during the period from March 20th to April 13th, edited into a running order, together with artwork and music and throughout the last two weeks in April distributed to TV-stations who want to screen the films around May 1st. when the enlargement of the EU steps into action. The long version including all films runs for two hours. TV-stations in France, Ireland, Sweden, Estonia, Poland, Hungary, Belgium, and Denmark have at this time entered agreement to screen the films. In addition to the TV-screenings a number of film festivals have already taken an interest in the project.

The films.
The 25 films have become a varied high quality manifestation of European film. It has also become a sensitive body of work that witness past and present times and problems. There are themes that reoccur of borders, immigration, official institutions, power and the lives of ordinary people.
There is looking back but always with a perspective and a strong feeling of the necessity to look ahead to face the oncoming problems.
There are landscapes, cities, bodies, faces, languages, behaviours, rituals and all bear witness to the huge project of living together peacefully with common concerns regarding bureaucratic institutions, the raw power of the governments and the large corporations.
Here we have a unique opportunity to have a heartfelt look at ourselves, at our national traits, our diversities, our similarities, our strengths and weaknesses, thanks to the 25 five different artistic temperaments, and through their vision, challenge our own vision of Europe.

Mikael Olsen
Producer - Zentropa

Faith Akin - Die alten bösen Lieder
Barbara Albert - Mars
Sharunas Bartas - Children Lose Nothing
Andy Bausch - The Language School
Christoffer Boe - Europe Does Not Exist
Francesca Comencini - Anna Lives in Marghera
Stijn Coninx - Self Portrait
Tony Gatlif - Paris by Night
Sasa Gedeon - Unisono
Christos Georgiou - My Life on Tape
Constantine Giannaris - Room for All
Peter Greenaway - European Showerbath
Miguel Hermoso - Our Kids
Arvo Iho - Euroflot
Aki Kaurismaki - Bico
Damjan Kozole - Europa
Laila Pakalnina - It'll Be Fine
Kenneth Scicluna - The Isle
Martin Sulik - The Miracle
Malgorzata Szumowska - Crossroad
Béla Tarr and Agnes Hranitzky - Prologue
Jan Troell - The Yellow Tag
Theo Van Gogh - Euroquiz
Teresa Villaverde - Cold Wa(te)r
Aisling Walsh - Invisible State

Various - Unseen Cinema - 03 - Light Rhythms (1923-1947)

Music and Abstraction

The rhythmic elements of cinema are explored by artists and filmmakers fascinated by the abstract qualities of light. The American authors of avant-garde classics Le Retour la raison (1923), Ballet m canique (1923-24), An mic cin ma (1926), and Une Nuit sur le Mont Chauve (1934), are finally acknowledged for their seminal artistic achievements made in Europe. Pioneer abstract films by Ralph Steiner, Mary Ellen Bute, Douglass Crockwell, Dwinnell Grant, and George Morris are compared and contrasted with Hollywood montages created by Ernst Lubitsch, Slavko Vorkapich, and Busby Berkeley. For the first time on video, composer George Antheil's original 1924 score accompanies Fernand L ger and Dudley Murphy's film Ballet m canique, a truly avant-garde cacophony of image and sound.

Le Retour la raison (1923)-Man Ray
Ballet m canique (1923-24)-Fernand L ger & Dudley Murphy
An mic cin ma (1924-26)-Rrose S lavy (Marcel Duchamp)
Looney Lens: Anamorphic People (1927)-Al Brick
Out of the Melting Pot (1927)-W.J. Ganz Studio
H20 (1929)-Ralph Steiner
Surf and Seaweed (1929-30)-Ralph Steiner
7 Vorkapich Montage Sequences (1928-37)-Slavko Vorkapich
The Furies (1934)
Skyline Dance (1928)
Money Machine (1929)
Prohibition (1929)
The Firefly- Vorkapich edit (1937)
The Firefly-MGM release version (1937)
Maytime (1937)
So This Is Paris (1926)-Ernst Lubitsch (excerpt)
Light Rhythms (1930)-Francis Brugui re & Oswell Blakeston
Une Nuit sur le Mont Chauve (Night on Bald Mountain) (1934)-Alexandre Alexeieff & Claire Parker
Rhythm in Light (1934)-Mary Ellen Bute, Ted Nemeth & Melville Webber
Synchromy No. 2 (1936)-Mary Ellen Bute & Ted Nemeth
Parabola (1937)-Mary Ellen Bute & Ted Nemeth
Footlight Parade - "By a Waterfall" (1933)-Busby Berkeley
Glen Falls Sequence (1937-46)-Douglass Crockwell
Simple Destiny Abstractions (1937-40)-Douglass Crockwell
Abstract Movies (1937-47)-George L.K. Morris
Scherzo (1939)-Norman McLaren
Themis (1940)-Dwinell Grant
Contrathemis (1941)-Dwinell Grant
1941 (1941)-Francis Lee
Moods of the Sea (1940-42)-Slavko Vorkapich & John Hoffman

http://rapidshare.com/files/120707560/3-Light.Rhythms.part01.rar
http://rapidshare.com/files/120707611/3-Light.Rhythms.part02.rar
http://rapidshare.com/files/120707625/3-Light.Rhythms.part03.rar
http://rapidshare.com/files/120707638/3-Light.Rhythms.part04.rar
http://rapidshare.com/files/120757035/3-Light.Rhythms.part05.rar
http://rapidshare.com/files/120757061/3-Light.Rhythms.part06.rar
http://rapidshare.com/files/120757105/3-Light.Rhythms.part07.rar
http://rapidshare.com/files/120757142/3-Light.Rhythms.part08.rar
http://rapidshare.com/files/120757159/3-Light.Rhythms.part09.rar
http://rapidshare.com/files/120777859/3-Light.Rhythms.part10.rar
http://rapidshare.com/files/120778194/3-Light.Rhythms.part11.rar
http://rapidshare.com/files/120778124/3-Light.Rhythms.part12.rar
http://rapidshare.com/files/120778136/3-Light.Rhythms.part13.rar
http://rapidshare.com/files/120778178/3-Light.Rhythms.part14.rar
http://rapidshare.com/files/120778277/3-Light.Rhythms.part15.rar
http://rapidshare.com/files/120778386/3-Light.Rhythms.part16.rar
http://rapidshare.com/files/120700109/3-Light.Rhythms.part17.rar

no pw

Luis Buñuel - L'Age d'Or (1930) 10/10

Luis Buñuel - L'Age d'Or aka The Golden Age (1930)

http://i202.photobucket.com/albums/aa318/crasus_mulder_v2/LAge_dOr.jpg

Modot and Lys, simply called the Man and the Woman, are the lovers who allow nothing to prevent them from demonstrating their feelings for each other. They want to make love, but must first overcome a number of seemingly insurmountable obstacles: the church, bourgeois social etiquette, and their own psychological handicaps.